Looking for Artworks on Paper?
Browse our unique assortment of Art Prints and buy original Vintage Prints, Lithographs, Fine Art Prints, Giclées, Screen Prints, Mixed Media, Woodcuts, Drawings, Exhibition Posters, and other works on paper of famous and lesser-known artists.
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A collection with quality art posters and (exhibition) posters from famous classical modern artists such as Picasso, Miro and Chagall to the contemporary Dubuffet, Alexander Calder, Jim Dine and many others.
These contemporary artists designed their own posters for their exhibitions in Pace / Colombus Ohio, Galerie Meaght Paris and Joan Prats Barcelona, among others. Many printing techniques such as color lithography and screen printing have been applied to high-quality papers up to silver foil.
Artworks can be fitted with a suitable passe-partout by Colonia-Art and framed for ready-to-hang. You can always contact us for tailored service.
Color lithograph 1979 Signed in the print In good condition, minimal signs of storage
Following Malewitsch's style of "Suprematism": an absolute, non-objective painting, reduced to the basic geometric forms: rectangle, triangle and circle. Suprematism" as a special direction of Russian Constructivism: expressing space and time through original geometric forms, thus creating an artificial utopian world or dimension.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Color lithograph 1979 Signed in the print In good condition, minimal signs of storage
Haring's comic-like Pop-Art figures are among the most popular artists' works in the world. A second glance often reveals a biting inventory of social conditions. "My drawings do not try to imitate life, they try to create life."
Colour Lithography On tight paper Signed and dated in the print
This poster was created by Banksy exclusively for the Walled Off Hotel. It is available exclusively at the Walled Off Hotel in Bethlehem and is limited to a very few pieces. Extremely rare!
Galeria Joan Prats. Exhibition poster - created on the occasion of the 1986 exhibition. in good condition.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective images.Light and shadow, plasticity and form are modulated with several layers as well as glazing application: The compositions refer to the person depicted and give her an...
Artwork was created during the lockdown
Collage-type abstraction Dealing with the tensions arising between fluidity and standstill, expressionism and minimalism, the depressed and the unadulterated.
Beautiful serie of artworks: Swedish Birds by Magnus von Wright Very detailed ornithological prints. Colonia-Art offers personalized framing for these artworks. These prints originate from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The...
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective images.Light and shadow, plasticity and form are modulated with several layers as well as glazing application: The compositions refer to the person depicted and give her an...
Geometric minimalism: aesthetic interplay of shapes and colours. Prints and editions. "Bricklayer of the Soul, Reflections in Celebration".
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
The artwork "The Gates - New York Central Park" by the artist Christo is extraordinary and an eye-catcher for every room. Color offset on heavy paper. Based on a photo by Wolfgang Volz 2005.
Original pigment artwork, on heavy, handmade cotton paper Year: 2016 Hand signed, numbered and dated Edition: 25
Wrapped Coast-Little Bay-Australia-1969. Photo offset from a photo by Shunk Kender 1991. Editor: Poligrafa. In good condition, minimal edge deviations.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Geometric minimalism: aesthetic interplay of shapes and colours. Prints and editions. "Bricklayer of the Soul, Reflections in Celebration".
Composition by Giangiacomo Spadari Colour-Lithography on vat-paper Handsigned Numbered, set 100 + XXV Dated
From the cubist creative phase, in which Mondrian mainly painted landscapes and chose motifs such as trees and mills. Mondrian developed his own Cubist style, which influenced other Cubist artists in Paris. During this period he takes part in exhibitions at the Salon des Indépendants in Paris.
From the 1910s onwards, Kandinsky developed his own abstract language of colour and form, inspired by the Impressionist painters from Paris, and developed it further, especially as a teacher at the Bauhaus in Weimar, Dessau and Berlin. This resulted in a style that is characterised by the idea of the power of pure colours and non-representational motifs.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
One of the most important works of Gustav Klimt, painted during his so-called golden phase, in which his most popular works were created. Magical, religious associations as well as those of sheer material value and preciousness. Klimt found models in Byzantine painting, which he studied during a trip to Ravenna (San Vitale).
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Hallucinatory colour field canvas Dealing with the tensions arising between fluidity and standstill, expressionism and minimalism, the depressed and the unadulterated.
When de Kooning began painting Woman I, abstraction dominated American art. Artists and critics had declared the human figure as an outdated topic, and de Kooning himself enjoyed recognition for the abstract compositions, which he had produced in the past few years
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
One of Piet Mondrian's most famous paintings, which correspond to his abstract forms. According to the concept of "pure" forms: no soft and curved lines, only straight lines either horizontal or vertical, which represent the harmony between opposites. This is intended to create a "rhythm" resulting from the balance between colour and "non-colour".
Wrapped Vestibule, The Art Gallery of New South Wales, Sydney, Australia 1990. Photo offset after a photo by Wolfgang Volz in 1991. Publisher: Poligrafa. in good condition.