At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
The movement seemingly frozen in the photographic image is combined by Koukouwitakis with the traces of a second motion, that of the drawing and painting hand. He achieves this by overlaying his captured shots, peeled off onto transparent supports known as photo foils, with painted and drawn areas. His means involve painterly and graphic gestures,...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies and plants are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies and plants are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions...
The bodies of the flowers are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that Koukouwitaki's works evoke.
Plants are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that Koukouwitaki's works evoke. This artwork consists of 9 pieces, each measuring 40x30cm.
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
The movement seemingly frozen in the photographic image is combined by Koukouwitakis with the traces of a second motion, that of the drawing and painting hand. He achieves this by overlaying his captured shots, peeled off onto transparent supports known as photo foils, with painted and drawn areas. His means involve painterly and graphic gestures,...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
His artistic process is unique: The carefully considered photographic images are printed onto photo films and finally combined in a further process with traces of a second movement, that of the drawing and painting hand. His means are gestural painting, smearing, dripping, running, doodling - painterly and graphic gestures that are executed quickly and...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death.
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
The work captures a flower in motion with an extremely long exposure time - the flower's body falls, bends and twists and tilts its "head". As a viewer, one is fascinated and in a dilemma as to what emotions Koukouwitaki's works produce. Moreover, the artist plays with perspectives.
The carefully considered photographic images are printed onto photo films and finally combined in a further process with traces of a second movement, that of the drawing and painting hand. His means are gestural painting, smearing, dripping, running, doodling - painterly and graphic gestures that are executed quickly and decisively, hardly allow any...
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death. In this piece we see dead flowers and a fresh open melon, underlining the possible boundary between life and death.
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death.
The movement seemingly frozen in the photographic image is combined by Koukouwitakis with the traces of a second motion, that of the drawing and painting hand. He achieves this by overlaying his captured shots, peeled off onto transparent supports known as photo foils, with painted and drawn areas. His means involve painterly and graphic gestures,...
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death.
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death.
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death.
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive and thus point them beyond death. In this piece we see an empty glass in the black and white photography underlining the possible boundary between life and death regarding...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
The movement seemingly frozen in the photographic image is combined by Koukouwitakis with the traces of a second motion, that of the drawing and painting hand. He achieves this by overlaying his captured shots, peeled off onto transparent supports known as photo foils, with painted and drawn areas. His means involve painterly and graphic gestures,...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...
At first glance, one might perceive these images as blurry, but that is certainly not the case. Human bodies are captured in motion using long exposure times. Their bodies fall, curve, and spring up from a crouch, with heads twisting and tilting. As a viewer, you find yourself fascinated and caught in a dilemma, trying to discern the emotions that...