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Tribute to Miles Davis I sawed steel clamping pieces for fastening railway tracks on the sleepers in strips. With the cut-open guide rails of the roller doors from the goods hall of a former train station (my studio), arranged in a row in a series and welded together, two strands result. Two elements to be placed in variable arrangement, 230x8x3 cm and...
This work comes from the series 'travailler dans la joie c'est le secret du bonheur'. Acrylic on linen, 120x140cm
From a series of music paintings. Here the conductor plays a central role that has the orchestra under control
This stone, a Taunus quartzite, is a converted Devonian sandstone. It has the yellow-gray-red bands typical of this material, which are cut by white quartz veins. I opened the piece and divided it into two chambers separated by a thin rod. The walls of the interior are criss-crossed by natural stratification and it is up to the beholder to decide to...
This work is part of a diptych based on Pablo Neruda's poetry collection Acrylic on linen, 120x140cm It shows the love sonnets and the pure sonnets in Chile
The painting 'The lightness of loneliness' is minimalist. It's about being alone and dying without gloom.
Reduction in variation An almost-white, illuminated from behind and around
colour lithography Handsigned Numbered, Run: 600 + H.C. + E.A.
In this artwork I took during Covid-19. I wanted to express everyday 'Isolation' of Women. Still there are a lot of women Post-Soviet countries who did not have 'Voice' in their family, thay are 24/7 365 days in 'Isolation'. with my artwork I want to send message to all women who are in a such situations - Don't give up! Be Strong, and brake The Wall!
There are many invisible shapes and colors beneath the surface of the almost white painting. It's about the process: what happens when you paint and remove something, layer by layer, often more than 20 layers of what's left. Acrylic on linen, 120x130cm
I made this sculpture out of Rhenish basalt. I open up the rough surface and create tiered, open interiors with narrow spaces. It is a game with architectural forms in which natural form and artistic intervention create a field of tension - it is up to the viewer to fill this space in an associative way.
The paintings 'The lightness of solitude' and 'Faded flower' are minimalist. It's about being alone and dying without gloom.
In this artwork I wanted to express Post-Soviet period ( 90's )in Georgia, when people did not have electricity,natural gas and worm water. We were using candles and oil lamps ( which had specific smell)for lighting space. Itself, the broken glass of the lamp show that we overcame that period. This artwork is limited (5/5) edition and exclusive for...
'Landscape congealed in bloom': here a moment, an image, is frozen, as we suddenly came to a standstill in a world of Covid-19 in spring.
This work comes from the series 'travailler dans la joie c'est le secret du bonheur'. Acrylic on linen, 120x140cm
I made this statue out of a piece of Lanhelin granite from Normandy. This material, a bluish, finely crystalline granite, was used in the region as early as the Middle Ages, for example on Mont St. Michel. Prolonged exposure to air, sun and salt water leads to redness and rust. This is how the blue-red gradient came about. If this process goes on for...
Equilibrium of form and color, motion and moment of stillness, shifting between landscape and architecture
Equilibrium of form and color, motion and moment of stillness, shifting between landscape and architecture
Verortung I-II (shift I-II) is showing an equilibrium of form and colour, motion and stillness; it is shifting weights in ease as a variation of the given moment...
I created this sculpture from a piece of blue, fine-grain Lanhelin granite from Normandy. I open the compact volume with prismatic, undercut slots at the bottom and cranked, narrowed notches at the top. Sawn outer surfaces border on broken surfaces, which is reminiscent of rubble or fragments, but is due to the fact that the shape goes beyond the format....
This picture shows the vision with two people: screaming human and sitting death. Faces and body silouettes are indicated by a few lines and small areas of color. In the upper left half of the picture, a shadowy symbol for the Corona crisis appears. Various lines lead to abstractly designed parts of the picture. The colors black, red, yellow and green...
'The bitter sunflowers' tell the story of a future: where are we going with a world of pollution, contamination, carelessness. The tragedy of the passing of untouched beauty and nature.
In this artwork I took during Covid-19. I wanted to express everyday 'Isolation' of Women. Still there are a lot of women Post-Soviet countries who did not have 'Voice' in their family, thay are 24/7 365 days in 'Isolation'. with my artwork I want to send message to all women who are in a such situations - Don't give up! Be Strong, and brake The Wall!
White and black creates a field of silence and the power of creation in the range between the antidotes of white and black