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Fine, minimalist drawing. Ink, Chinese rice paper.
This is the fith work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Paperwork (Gouache, drawing cardboard, framed, price per work): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This abstract sculpture symbolizes the connection between two people. Mixed media: ceramics and plastics
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
"The Kitchen" (after a poem by Annette Droste-Hülshoff), Woodcut of the artist Ondine Frochaux. Limited edition.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This is the third work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
This work is portraying Eline with the view from the Rietveld building at art academy Arnhem.
This is the fourth work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
"On the Train Track", Woodcut of the artist Ondine Frochaux. Limited edition.
The motif of a nude with an apple is woven into a constructive image structure. The work can be read allegorically / symbolically.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
Two eyes look at past times Various events in history are based on models (e.g. Delacroix The Freedom for ...) and embedded in colored forms
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
"Winter Landscape with Fir", Woodcut of the artist Ondine Frochaux. Limited edition.
Drawing with colored pencils 20 x 30 cm The eye is the viewer's focal point The design of the ornamentation is based on old Nordic motifs
"Soldier Forge", Woodcut of the artist Ondine Frochaux. Limited edition.