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My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Fine, minimalist drawing. Ink, Chinese rice paper.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
"Winter Landscape with Fir", Woodcut of the artist Ondine Frochaux. Limited edition.
"The Kitchen" (after a poem by Annette Droste-Hülshoff), Woodcut of the artist Ondine Frochaux. Limited edition.
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
A Nude is reproduced in a succinct manner using economical means in a lively brushwork. The act in combination with the apple can also be read allegorically or symbolically.
This work is portraying Eline with the view from the Rietveld building at art academy Arnhem.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Paperwork (Gouache, drawing cardboard, framed, price per work): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
"On the Train Track", Woodcut of the artist Ondine Frochaux. Limited edition.
This is the third work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
A bird is striking with bold lines and brought to the background of the picture with liquid acrylic paint in a reduced and impressive manner.
This is the fith work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
This abstract sculpture symbolizes the connection between two people. Mixed media: ceramics and plastics
This is the fourth work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
The motif of a stranded swordfish is woven into a constructive image structure. The work can be read allegorically / symbolically.
The motif of a nude with an apple is woven into a constructive image structure. The work can be read allegorically / symbolically.
A bird has been creatively and succinctly designed with economical means.
A filigree insect is reproduced with economical means, in a concise and imaginative way.
"Soldier Forge", Woodcut of the artist Ondine Frochaux. Limited edition.