Abuschenko-Matwejewa, Ina


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  • Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads.
  • Between art space and context, a friction arises, creating a sphere of fading.
  • By sounding out spaces, a visual and philosophical state of suspension is created.

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"As a starting point for her explorations, the artist sometimes uses concrete spatial experiences as a starting point, which are reflected in the titles of her works. However, they follow less a systematic approach than loose strands of association, to which the viewer can in turn attach his own impressions. Placed in an art space, Abuschenko's paper objects link this space visually with the evoked context of their creation. They thus guarantee a cross-fading of two worlds that subliminally come into constant friction with each other and conjure up a sphere that cannot be permanently assigned to either place. A state of suspension of the viewer in which, constantly moving, it is carrying out what can perhaps be regarded as Abuschenko's greatest achievement: the sounding out of spaces as a playful recreation of the imaginary."

Tobias Kämpf (catalogue, paper works, 2008 Kunstmuseum Dieselkraftwerk Cottbus)

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Ina Abuschenko-Matwejewa was born in 1969 in Bernau, studied German language and literature/art studies at the Humboldt University in Berlin in 1988/89, from 1991-96 she studied paint/graphics at the Dresden Academy of Fine Arts. After graduating, she went to Berlin, studied for two years at the University of the Arts in the Art in Context course. With the birth of her daughter she moved to Eberswalde in 2008. In addition to her artistic activities, she has been working as an art and movement therapist in the Forensic Psychiatry Department in Eberswalde since 2010.

Her exhibitions and scholarships took her through half of Europe, she received numerous scholarships and art awards, including scholarships from the Stiftung Kulturfond Berlin, Villa Serpentara, studio scholarship from the Akademie der Künste, art sponsorship award from the State of Brandenburg and most recently the Norway Scholarship, sponsored by the Ministry of Science, Art and Culture of the State of Brandenburg.

Her works, in which she explores the tension between light and colour in her own way, have been shown in many places, including the KunstHaus Potsdam in 2019, the Galerie AE Potsdam, the Kunstverein Meissen e.V. Querung with the artist Andreas Schmid in 2018, and the exhibition of the Endmoräne e.V. Weiße Schatten - Wege durch die verlassene Papierfabrik in Eberswalde in 2017. Her series Schattenmänner was shown in 2017 at the opera project Die Kriminellen der Frau A. - auf dem Weg zu Ovartaci in the workshop of the Staatsoper Berlin, 2016 she showed her works together with the photographer Barbara Schnabel in the Galerie Mutter Courage, Berlin, 2015/16 Tragweite, Museum dkw Cottbus, 2014 Oppetreppe, Galerie der Bausparkasse Schwäbisch Hall, 2013 Poesie des Fragment, Kloster Chorin and many more.

She is co-founder of the Neuer Blumenplatz in Eberswalde.

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Click here to see all paintings by this Artist
Technique: Gouache
Surface: Drawing Cardboard
Year: 2017
Country of Origin: Germany
Topic: Geometrical Forms
Style: Concept Art
Time Period: 21th Century
Image Size: 57 x 60 x 1 cm
Primary Color: Red
Size: Small (till 60 cm)

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