Nuanced coloured paper objects: Ancient concept of relief as a relation of surface movement to depth movement. From impression to expression in the sense of Concrete Art. The objects reveal the tense relationship between body and world as a relief that differentiates itself on both sides: Between perception and sense of touch, between emergence and...
Marsh lime and marble flour on veil nettle. Coloring with pigments. Very transparent due to the veil nettle
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
This mixed media picture, consisting of canvas and hand-carved wood, is part of an installation 'Untitled'. It embodies the image of a man and his relationship to women in society.
Edition of 15 3-color screen print 2020 33 x 24 cm (printed surface: A4)
Mediterranean Landscape (Provence). Abstract and neo-impressionist style in the sense of life and color. Her abstract artworks express power and energy with bold brush strokes and intense colors.
The artist's interest in social and historical realities forms the basis of many of her works. It gives deep insights into human coexistence and against each other, silent and loud emotions become visible. But snapshots are also expressively implemented.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
The artist's interest in social and historical realities forms the basis of many of her works. It gives deep insights into human coexistence and against each other, silent and loud emotions become visible. But snapshots are also expressively implemented.
Monochrome color field painting, color bodies: design with form and color. "Escape the compulsion of usability." (Soulpault).
Simplicity, directness, irony, aesthetics based on children's drawings Dynamically structured surface, dense layers of color Spatula technology
From series 'moving toward abstraction'. Abstract and neo-impressionist style in the sense of life and color. Her abstract artworks express power and energy with bold brush strokes and intense colors.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
This mixed media picture, consisting of canvas and hand-carved wood, is part of an installation 'Untitled'. It embodies the image of a woman and discusses her role in society.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Marsh lime and marble powder on garbage paper. Coloring with ink and pigments.
This painting is meant as a symbol of life. The animals are symbolizing female life
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Fine, minimalist drawing. Ink, Chinese rice paper.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard, price per work): Concrete spatial experiences are linked to associative threads. Sales price whole series € 6.000. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Monochrome color field painting, color bodies: design with form and color. "Escape the compulsion of usability." (Soulpault).
His artistic reflections, thoughts and concepts are the product of his surrounding environs. He is inspired by observations of daily life occurrences, nourished by numerous political and cultural elements.
Simplicity, directness, aesthetics based on children's drawings, irony Spatula technology
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Marsh lime and marble powder on MDF. Color with ink, pigments and wax.
This is the fourth work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
"I know that I know nothing" Entitled by a quote of Sokrates this painting features a Magnolia as a personality. Seeing this flower as a personality in a pantheistic way the flower becomes a person asking and adressing you. This painting wants to give you hope and positivity.
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
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