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Colored potographies of andscapes on canvas The motiv is seperarted, enclosed and disjointed by a network of lines Transformation of nature becoming art on canvas
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Colored potographies of andscapes on canvas The motiv is seperarted, enclosed and disjointed by a network of lines Transformation of nature becoming art on canvas
Surfaces are never just surfaces. Many walls tell us stories. They inspire the artistic design of my works with their very unique and varied power.
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Colored potographies of andscapes on canvas The motiv is seperarted, enclosed and disjointed by a network of lines Transformation of nature becoming art on canvas
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Birds start to sing again and the fields become greener every day. Spring has begun! Semi-abstract landscape painting Painting size 120 x 80, framed 125 x 85 cm. This painting is framed in wooden box frame, ready to hang.
Colored potographies of andscapes on canvas The motiv is seperarted, enclosed and disjointed by a network of lines Transformation of nature becoming art on canvas
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The grey colors in the Dutch wetlands on a winterday. Semi-abstract landscape painting Painting size 90 x 70, framed 95 x 75 cm. This painting is framed in wooden box frame, ready to hang.
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Colored potographies of andscapes on canvas The motiv is seperarted, enclosed and disjointed by a network of lines Transformation of nature becoming art on canvas
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Ancient Roman sculptures cannot be appreciated enough Placing them in new contexts gives them meaning and dignifies their origin and history
Picture on canvas Painted with fine glaze from coloured tusche, pigments or stains Also garphit and carbon were used to signe the artwork
A typical Dutch rainy day Semi-abstract landscape painting Painting size 70 x 60, framed 75 x 65 cm. This painting is framed in wooden box frame, ready to hang.
Colored potographies of andscapes on canvas The motiv is seperarted, enclosed and disjointed by a network of lines Transformation of nature becoming art on canvas
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"
Ancient Roman sculptures cannot be appreciated enough Placing them in new contexts gives them meaning and dignifies their origin and history
The painting is part of an extensive collection and was inspired by a prophecy in the Bible written down at "Ezekiel 47"