Two eyes look at past times Various events in history are based on models (e.g. Delacroix The Freedom for ...) and embedded in colored forms
Fine, minimalist drawing. Ink, Chinese rice paper.
Monochrome color field painting, color bodies: design with form and color. "Escape the compulsion of usability." (Soulpault).
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Paperwork (Gouache, drawing cardboard, framed, price per work): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
A bird is striking with bold lines and brought to the background of the picture with liquid acrylic paint in a reduced and impressive manner.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
The motif of a stranded swordfish is woven into a constructive image structure. The work can be read allegorically / symbolically.
This is the second work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and oil on wood. Ready-to-hang: The metal profile at the back provides an easy and modern looking mounting system. Including...
A bird has been creatively and succinctly designed with economical means.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Simplicity, directness, irony, aesthetics based on children's drawings Dynamically structured surface, dense layers of color Spatula technology
A filigree insect is reproduced with economical means, in a concise and imaginative way.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
A Nude is reproduced in a succinct manner using economical means in a lively brushwork. The act in combination with the apple can also be read allegorically or symbolically.
From series 'moving toward abstraction'. Abstract and neo-impressionist style in the sense of life and color. Her abstract artworks express power and energy with bold brush strokes and intense colors.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Mythology, symbolism, antiheroes, irony Effect of colors, playfulness with color Dynamic structures, multiple layers of paint, spatula technology
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
The motif of a nude with an apple is woven into a constructive image structure. The work can be read allegorically / symbolically.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
From the work group "Käfiglandschaften". Inspired by the refugee crisis 2015/2016 After the purchase, the buyer of the work decides which size, print technique, surface finish will be commissioned by the artist to the Lab WhiteWall Lab WhiteWall won the TIPA award for "BEST PHOTO LAB WORLDWIDE in 2020" to achieve a great Fine Art Print in Museum...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
Simplicity, directness, aesthetics based on children's drawings, irony Spatula technology
Directness, simplicity, aesthetics based on children's drawings, irony Dream processing Spatula technology
Drawing with colored pencils 20 x 30 cm The eye is the viewer's focal point The design of the ornamentation is based on old Nordic motifs
This work is portraying Eline with the view from the Rietveld building at art academy Arnhem.
Marsh lime and marble powder on garbage paper. Coloring with ink and pigments.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...