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A filigree insect is reproduced with economical means, in a concise and imaginative way.
This painting is meant as a symbol of life. The animals are symbolizing female life
Simplicity, directness, irony, aesthetics based on children's drawings Dynamically structured surface, dense layers of color Spatula technology
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
From series 'moving toward abstraction'. Abstract and neo-impressionist style in the sense of life and color. Her abstract artworks express power and energy with bold brush strokes and intense colors.
This is the second work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and oil on wood. Ready-to-hang: The metal profile at the back provides an easy and modern looking mounting system. Including...
Marsh lime and marble powder on garbage paper. Coloring with ink and pigments.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
The motif of a nude with an apple is woven into a constructive image structure. The work can be read allegorically / symbolically.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
Monochrome abstract ink painting The picture comes from a series "Five Elements of Daoist Philosophy", which were created from 5 pictures for fire, wood, water, earth and metal.
The motif of a stranded swordfish is woven into a constructive image structure. The work can be read allegorically / symbolically.
Fine, minimalist drawing. Ink, Chinese rice paper.
A bird has been creatively and succinctly designed with economical means.
Paperwork (Gouache, drawing cardboard, framed, price per work): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
Monochrome color field painting, color bodies: design with form and color. "Escape the compulsion of usability." (Soulpault).
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
A bird is striking with bold lines and brought to the background of the picture with liquid acrylic paint in a reduced and impressive manner.
This is the fourth work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
This work is portraying Eline with the view from the Rietveld building at art academy Arnhem.
Marsh lime and marble flour on veil nettle. Coloring with pigments. Very transparent due to the veil nettle
His artistic reflections, thoughts and concepts are the product of his surrounding environs. He is inspired by observations of daily life occurrences, nourished by numerous political and cultural elements.
A Nude is reproduced in a succinct manner using economical means in a lively brushwork. The act in combination with the apple can also be read allegorically or symbolically.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Simplicity, directness, aesthetics based on children's drawings, irony Spatula technology
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.