The motif of a stranded swordfish is woven into a constructive image structure. The work can be read allegorically / symbolically.
A filigree insect is reproduced with economical means, in a concise and imaginative way.
A bird has been creatively and succinctly designed with economical means.
Two eyes look at past times Various events in history are based on models (e.g. Delacroix The Freedom for ...) and embedded in colored forms
Drawing with colored pencils 20 x 30 cm The eye is the viewer's focal point The design of the ornamentation is based on old Nordic motifs
A Nude is reproduced in a succinct manner using economical means in a lively brushwork. The act in combination with the apple can also be read allegorically or symbolically.
A bird is striking with bold lines and brought to the background of the picture with liquid acrylic paint in a reduced and impressive manner.
Color - form, the basic elements of painting. The effect of the color, the play with the form creates spatiality in the abstract-associative works. The concrete geometric order of the composition, often interrupted by a gesture, plays with its intense colors with contrast and harmony. The overlay of colored areas and shapes with openings and...
The motif of a nude with an apple is woven into a constructive image structure. The work can be read allegorically / symbolically.
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
This is the fith work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and gel pen on wood.
This is the second work in a series of six works about human longing. Created in time of country lock-downs and quarantine including packaging material from online purchases. Charchoal, natural pigments mixed with acrylics and oil on wood. Ready-to-hang: The metal profile at the back provides an easy and modern looking mounting system. Including...
Color - form, the basic elements of painting. The effect of the color, the play with the form creates spatiality in the abstract-associative works. The concrete geometric order of the composition, often interrupted by a gesture, plays with its intense colors with contrast and harmony. The overlay of colored areas and shapes with openings and...
Mythology, symbolism, antiheroes, irony Effect of colors, playfulness with color Dynamic structures, multiple layers of paint, spatula technology
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
Color - form, the basic elements of painting. The effect of the color, the play with the form creates spatiality in the abstract-associative works. The concrete geometric order of the composition, often interrupted by a gesture, plays with its intense colors with contrast and harmony. The overlay of colored areas and shapes with openings and...
Minimalism, aesthetics based on children's drawings Simplicity, directness, symbolism, dream processing Playfulness with color, multiple layers of color, dynamically structured surface pasty filler technique
In this work, the viewer gradually discovers people in dignified, pious, grateful, pleading attitudes, animals, plants and symbols. People are focused on the creatures of flora and fauna, they are covered with a veil of knowledge and the secrets of nature. The embossed fiberboard symbolizes ancient knowledge that has shaped humanity and must be passed on...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
This work is portraying Eline with the view from the Rietveld building at art academy Arnhem.
From the work group "Käfiglandschaften". Inspired by the refugee crisis 2015/2016 After the purchase, the buyer of the work decides which size, print technique, surface finish will be commissioned by the artist to the Lab WhiteWall Lab WhiteWall won the TIPA award for "BEST PHOTO LAB WORLDWIDE in 2020" to achieve a great Fine Art Print in Museum...
Paperwork (Gouache, drawing cardboard, framed, price per work): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Color - form, the basic elements of painting. The effect of the color, the play with the form creates spatiality in the abstract-associative works. The concrete geometric order of the composition, often interrupted by a gesture, plays with its intense colors with contrast and harmony. The overlay of colored areas and shapes with openings and...
This is the third work in a series of four works about vulnerabilty. Mixed media: acrylics, ceramics and plastics on canvas.
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
My subject as a painter is flowers and spaces. I paint the flowers beautifully and strongly. They are much bigger on my canvas than they really are. By changing the format, they are signaling that they want to grow in order to counterbalance the misery and ugliness of the world through their strength and beauty. The spaces I represent in my pictures are...
The recurring, the continuity, the infinity in the fog of life, in the power of energy, in the light of being, magic of life. The seed pod with gold, the treasures of nature are the magic wand of life. . .
A little girl's reflection in the water. A father holding his protective hand over the child who gives him his love, his knowledge, by scattering delicate real seeds from nature over the girl in the wind. The child's astonishment at the wonders of nature, at his self. Knowledge and wisdom, treasures of nature symbolized by the golden square surfaces, a...
Symbolism, poetry, fantasy world, dream processing Spatula technology
Directness, simplicity, aesthetics based on children's drawings, irony Dream processing Spatula technology
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
From the work group "Käfiglandschaften". Inspired by the refugee crisis 2015/2016. After the purchase, the buyer of the work decides which size, print technique, surface finish will be commissioned by the artist to the Lab WhiteWall Lab WhiteWall won the TIPA award for "BEST PHOTO LAB WORLDWIDE in 2020" to achieve a great Fine Art Print in Museum...
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